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OBJECTS OF ANANTAYA FOR MAHAKUMBH

PROJECT

CAMPAIGN

LOCATION

PRAYAGRAJ, INDIA

DATE

2025

CREATIVE DIRECTION

FOR THE WORLD OF ANANTAYA

The Maha Kumbh, the world’s largest spiritual gathering, arrives once every 12 years — a rare confluence of faith and culture. We designed a campaign for Anantaya that wove their crafts into the rituals and rhythms of the Kumbh. Anantaya’s objects became vessels of offering, prayer, and immersion, through Jal Arpan, Aarti, and Visarjan.

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CREATIVE DIRECTION

FOR THE WORLD OF ANANTAYA

2025
PRAYAGRAJ, INDIA

OBJECTS OF ANANTAYA FOR MAHAKUMBH

The Maha Kumbh, the world’s largest spiritual gathering, arrives once every 12 years—a rare confluence of faith and culture. We designed a campaign for Anantaya that wove their crafts into the rituals and rhythms of the Kumbh. Anantaya’s objects became vessels of offering, prayer, and immersion, through Jal Arpan, Aarti, and Visarjan.

A campaign ispired by the eternal love story of Nisha and Chandra. A dance of light and darkness that creates cosmic balance. 

They inspire poets, lovers and dreamers alike. 

Nisha, Anantaya’s first campaign after her reincarnation, was imagined to be larger than life. Not just a curated collection, but a vision: to push the perception of Indian craft beyond expectation.

With Nisha, we looked to the night sky. To the shimmering reflection of the moon on water, to the way light and darkness dance together. That became our language: objects photographed as though suspended in dream, caught between stillness and movement. 

The celestial photography holds the weight of tradition and the whimsy of imagination.

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ANANTAYA REINCARNATION.png

CREATIVE DIRECTION

FOR THE WORLD OF ANANTAYA

2025
JAIPUR, INDIA

THE MAKING

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THE MAKING

PROJECT

CAMPAIGN

LOCATION

JAIPUR, INDIA

DATE

2024

CREATIVE DIRECTION

FOR THE WORLD OF ANANTAYA

Anantaya’s work often returns to Thathera craft — the art of beating metal into form.

 

This campaign traced the craft back to its source, the narrow bylanes of Jaipur, where artisans shape brass with hand and hammer.

The series unfolded in short stories, revealing that these objects aren't inanimate things, but stories of time, forged from hand and mind. We were mesmerised by the rhythm of the hammer and voices of the makers themselves — proud.

Together, the stories became a portrait of a craft and its custodians.

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2024
JAIPUR, INDIA

PHILOSOPHY

THE CRAFT

MAKERS' IDENTITY

THE MAKING CAMPAIGN

THATHERO KA RAASTA

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ANANTAYA REINCARNATION.png

CREATIVE DIRECTION

FOR THE WORLD OF ANANTAYA

2024
JAIPUR, INDIA

JAAM RANGE

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JAAM RANGE

PROJECT

CAMPAIGN

LOCATION

JAIPUR, INDIA

DATE

2024

CREATIVE DIRECTION

FOR THE WORLD OF ANANTAYA

The Jaam range finds its roots in the desert — where every grain of sand becomes a memory, every flicker of light a symbol of joy. The campaign reflects on life’s countless experiences, each contributing to the mosaic of our existence, and celebrates Anantaya’s ethos of making everyday living beautiful. 

Crafted with a resourceful approach, the campaign demonstrates how evocative storytelling can be created with minimal means, letting the products and the poetry of their setting take center stage.

Our approach was to dive deep into discovery, sense-making and possibility mapping for the brand. Instead of making the visual identity the prime focus, we treated that as a by-product of the strategy. This project in many ways, lay the foundation of what AGAIN is and what we stand for. 

 

We transformed Anantaya into experience, value and essence- a brand world that is immersive and premium. The reincarnation shed the old body and gave Anantaya a renewed flow, and a new belief in recontextulising Indian crafts, making them both relevant and aspirational.

Anantaya means to possess the infinite. From this starting point, we reimagined Anantaya not just as a maker of products, but as a legacy brand that is changing the perception of Indian crafts on a global stage.

AGAIN_VISUAL_IDENTITY_SANJANA_2025_DIVIDERS (5).png
ANANTAYA REINCARNATION.png

CREATIVE DIRECTION

FOR THE WORLD OF ANANTAYA

2024
JAIPUR, INDIA

NISHA

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NISHA

PROJECT

CAMPAIGN

LOCATION

JAIPUR, INDIA

DATE

2025

CREATIVE DIRECTION

FOR THE WORLD OF ANANTAYA

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A campaign ispired by the eternal love story of Nisha and Chandra. A dance of light and darkness that creates cosmic balance. 

They inspire poets, lovers, and dreamers alike. 

Nisha, Anantaya’s first campaign after her reincarnation, was imagined to be larger than life. Not just a curated collection, but a vision: to push the perception of Indian craft beyond expectation.

With Nisha, we looked to the night sky. To the shimmering reflection of the moon on water, to the way light and darkness dance together. That became our language: objects photographed as though suspended in dream, caught between stillness and movement. 

The celestial photography holds the weight of tradition and the whimsy of imagination.

AGAIN_VISUAL_IDENTITY_SANJANA_2025_DIVIDERS (5).png
ANANTAYA REINCARNATION.png

CREATIVE DIRECTION

FOR THE WORLD OF ANANTAYA

2023-2025
JAIPUR, INDIA

FRAGMENTS AND FLOW

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FRAGMENTS AND FLOW

PROJECT

CAMPAIGN

LOCATION

JAIPUR, INDIA

DATE

2023 = 2025

CREATIVE DIRECTION

FOR THE WORLD OF ANANTAYA

Beyond large-scale campaigns and catalogues, a brand lives in its fragments- everyday stories, posts, and details that flow into its world. This collection captures how Anantaya’s presence is continuously shaped across digital touchpoints.

Our approach was to dive deep into discovery, sense-making and possibility mapping for the brand. Instead of making the visual identity the prime focus, we treated that as a by-product of the strategy. This project in many ways, lay the foundation of what AGAIN is and what we stand for. 

 

We transformed Anantaya into experience, value and essence- a brand world that is immersive and premium. The reincarnation shed the old body and gave Anantaya a renewed flow, and a new belief in recontextulising Indian crafts, making them both relevant and aspirational.

Anantaya means to possess the infinite. From this starting point, we reimagined Anantaya not just as a maker of products, but as a legacy brand that is changing the perception of Indian crafts on a global stage.

Our approach was to dive deep into discovery, sense-making and possibility mapping for the brand. Instead of making the visual identity the prime focus, we treated that as a by-product of the strategy. This project in many ways, lay the foundation of what AGAIN is and what we stand for. 

 

We transformed Anantaya into experience, value and essence- a brand world that is immersive and premium. The reincarnation shed the old body and gave Anantaya a renewed flow, and a new belief in recontextulising Indian crafts, making them both relevant and aspirational.

Anantaya means to possess the infinite. From this starting point, we reimagined Anantaya not just as a maker of products, but as a legacy brand that is changing the perception of Indian crafts on a global stage.

AGAIN_VISUAL_IDENTITY_SANJANA_2025_DIVIDERS (5).png

This project was conceived and executed with the team during Adit’s tenure as Head of Marketing at AKFD and Anantaya.

*All proprietary content and imagery are owned by AKFD Studio.

These projects were conceived and executed with the team during Adit’s tenure as Head of Marketing at AKFD and Anantaya.

*All proprietary content and imagery are owned by AKFD Studio.

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SPACE DESIGN,VISUAL MERCHANDISING AND CURATION
FOR THE WORLD OF ANANTYA

TEAM

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    ADIT KAUSHIK
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    SANJANA SIVARAM
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    NITIN BHASKAR
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    AKFD PRODUCTION TEAM
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ADIT KAUSHIK

NITIN BHASKAR 

TARUNA TANEJA

CREATIVE DIRECTION

DOCUMENTATION

GRAPHIC DESIGN

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  ADIT KAUSHIK

  NITIN BHASKAR

  TARUNA TANEJA
 


CREATIVE DIRECTION

DOCUMENTATION

GRAPHIC DESIGN
 

OTHER PROJECTS

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